About Magnetic Press Magnetic Press is a subsidiary of Polarity that publishes graphic novels, art books, and periodicals curated with a focus on internationally recognized content and talent, presented with premium quality design and production value. The Magnetic brand was founded by writer and video game veteran Mike Kennedy in 2013 as the independent publishing company Magnetic Press, Inc, featuring creators both new and established from around the world, sharing their stories with an English-language audience often for the first time. Their award-winning library includes such celebrated titles as the Love series of wordless wildlife graphic novels, as well as Eisner-nominated books Mister Invincible, Pistouvi, Irena, Stay, A Sea of Love, Watersnakes, Herakles, Doomboy, A Glance Backward, Little Tails, The Ghost of Gaudi, and Dave Dorman’s Wasted Lands Omnibus. Magnetic has earned a total of 23 Eisner Award nominations in their first six-of-six years of eligibility. Magnetic also won the Gold Medal of Excellence in the graphic novel category of the 2015 Independent Publisher Awards for Love: The Fox. In 2021, Magnetic launched Magnetic Press Play, an imprint dedicated to gaming and new media endeavors, with their first release to include Carbon Grey The RPG, based on the Image Comics series by Hoang Nguyen, using their proprietary D6MV variant of the classic D6 Roleplaying Rules created by West End Games. About Polarity David Steward II’s Polarity is a diversified global media company with a mission to bring authentic content to a diverse global audience. To create a richer content experience and offering, the company believes in the value of embracing diversity and highlighting previously unheard voices, as well as new and emerging views and voices. In addition to Magnetic Press, the Polarity portfolio also includes Lion Forge Animation, Oni-Lion Forge Publishing Group, and Illustrated Syndicate. With broad operations in animation, publishing and general media, Polarity has established itself as an impactful force in the entertainment industry. Steward II has been putting resources behind his vision of expanding the market for comics and comic-related pop culture to new age groups and demographics since the early 2010s, building a portfolio of titles and imprints that feature characters and creators from a wide variety of backgrounds. He’s extended that vision and ethic to the larger media landscape with an organization that can orchestrate content development, production, financing, and distribution across different channels.
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